|  | From Professor John
                        Bell, Co-Director of Great Small Works
                        International Toy Theatre Festival, NY: "Michael
                        and Valerie Nelson's Little Blue Moon
                        Theatre is a remarkable and unique puppet
                        enterprise that fully exploits the
                        artistic possibilities of toy theater as
                        a contemporary art form. Such productions
                        as "Japanese Ghost Story,"
                        "Mutiny on the Bounty," and
                        "Natalie," have taken the
                        nineteenth-century form of toy theater
                        and brilliantly adapted it for the
                        twenty-first century. The flat, cut-out
                        proscenium-arch paper theaters of the
                        1800s and early 1900s always had very
                        significant and profound implications,
                        and the Nelsons have understood how those
                        implications can be artfully reiterated
                        today. The Nelsons' toy theater shows are
                        marked by enthralling designs, innovative
                        manipulation and transformation, skillful
                        operation, compelling musical
                        accompaniment, joyous good humor, and, of
                        course, the added attraction of risque
                        "adult" content, which
                        nonetheless is always able to maintain a
                        certain amount of propriety in the midst
                        of deep innuendo. It is wonderful to see
                        in the Nelsons' shows how this
                        century-old performance tradition can be
                        re-invigorated, not as a quaint period
                        piece, but as a living medium of live
                        theater that can captivate its audience
                        in a short amount of time on a small
                        stage." From
                        presenters: "Michael and
                        Valerie, I didn't really get the chance
                        to tell you my thoughts about the
                        show.  I found the development of
                        your work exceptional within the toy
                        theatre.  I appreciate the
                        subtleties of light and rhythm, even
                        within a predictable tale, your story
                        emerged and kept everyone
                        captivated.  I'm a bit of a rascal
                        when it comes to theatre so it was such a
                        relief to once again be delighted by your
                        artistry.  The sets were
                        brilliant.  And, yes, my dreams that
                        night were erotic." "...bright,
                        sparkling, witty clever, sophisticated
                        and very, very adult. Even on the tinest
                        of stages they played with nuance, scale
                        and special effects!" "...drop
                        dead brilliant: inventive, outlandish,
                        and outrageously funny. I don't think
                        I've laughed so hard in years. The
                        Nelsons are on a roll, exploring a new
                        medium, with a sure hand, deft timing and
                        great good humor." "The Nelsons' toy theater
                        shows are marked by enthralling designs,
                        innovative manipulation and
                        transformation, skillful operation,
                        compelling musical accompaniment, joyous
                        good humor, and, of course, the added
                        attraction of risque "adult"
                        content, which nonetheless is always able
                        to maintain a certain amount of propriety
                        in the midst of deep innuendo. " from
                        the audience: "...charming
                        and beautifully executed
                        production..." "...a
                        perfect blend of visual, music and story.
                        Both productions were extremely playful
                        and beautifully crafted in every sense." "...We
                        truly had a great time and the evening
                        theme inspired us many evenings
                        thereafter." "...(the
                        show has) the ability to imply without
                        making the audience uncomfortable, all
                        sorts of other possibilites." "...You
                        two blow me away with your multi-faceted
                        creativity. The drawings, the sets, the
                        singing, and the tiny technology just
                        amaze me."  "...
                        Thank you for a memorable and wonderful
                        evening. Your toy theater show was great.
                        This morning I woke up with the song
                        '...the wind blew cold and lonely..' in
                        my head. Seriously! (We) were so
                        inspired!  |  |